{"items":[{"id":"1170086878_object","created":"2020-03-22T00:57:32Z","modified":"2025-07-11T18:07:18Z","current_location_name":"Sal 226","current_location_date":"2024-10-07T00:00:00Z","acquisition_date":"1883-01-01T00:00:00Z","acquisition_date_precision":"1883-12-31","dimensions":[{"notes":"2095 x 1050 x 650 mm","part":"Netto","type":"height","unit":"cm","value":"209.5"},{"notes":"2095 x 1050 x 650 mm","part":"Netto","type":"width","unit":"cm","value":"105"},{"notes":"2095 x 1050 x 650 mm","part":"Netto","type":"depth","unit":"cm","value":"65"}],"documentation":[{"title":"SMK highlights: Statens Museum for Kunst","author":"Sven Bjerkhof","notes":"omt. og afb. p. 89","shelfmark":"2005-071","year_of_publication":"2005"},{"title":"Afmagt: dansk billedhuggerkunst 1850-1900","author":"Ubekendt","notes":"afb. og omt. p. 166 (gipsudgave fra Glyptoteket), komparativt til kms5471.","shelfmark":"S 20364","year_of_publication":"[2002]"}],"inscriptions":[{"content":"på plinten: J A Jerichau 1873","type":"Inscription"}],"labels":[{"text":"Jerichau is equally interested in masculine ideas as evinced by THE PANTHER HUNTER and in cute animals and children at play. His treatment of figures and motifs has a distinctly sensuous quality; this in contrast to the cool, idealising sculptor Bertel Thorvaldsen. Jerichau’s romantic abundance of emotion was not universally appreciated on the Danish art scene, nor was his fervent interest in foreign movements, and he actively distanced himself from the wave of Danish patriotism that followed in the wake of the Schleswig wars in 1849-51 and 1864. Even though he and his wife, Elisabeth Jerichau Baumann, were branded as unpatriotic “Europeans”, he was nevertheless made professor at and director of the Royal Danish Academy of Fine Arts.","type":"EXHIBITIONTEXT","source":"Peter Nørgaard Larsen"},{"text":"The hunter is raising his spear to administer the fatal blow. The struggle and violent discharge of energy is represented through a dynamic composition and a very naturalistic depiction of man and animal. Naturally, the dramatic moment is frozen in time, and spectators are called upon to complete the action themselves.Thorvaldsen's idealLike most Danish artists of the first half of the 19th century, J.A. Jerichau spent some time in Rome. Very symbolically, he arrived on the frigate sent to bring Thorvaldsen’s collections back to Denmark. Jerichau’s ambitions soon took him in directions other than the neoclassical restraint that was Bertel Thorvaldsen’s (1770-1844) ideal – and the ideal of the times.Depicting motion and specific momentsAs The Panther Hunter clearly demonstrates, classical calm and quiet did not interest Jerichau. He was more interested in depicting motion and specific moments in time with scenes packed with action and extrovert emotions.Jerichau's internatioal breakthroughThe Panther Hunter gave Jerichau his international breakthrough, bringing in several prestigious commissions from Denmark and abroad. In Denmark he was appointed professor at the Royal Danish Academy of Fine Arts and also served as its director for extended periods of time. Jerichau’s international outlook eventually set him on a collision course with the trend-setting Danish art circles who did not share his openness to international art trends.","type":"OTHERTEXT","source":"Henrik Holm"}],"materials":["bronze"],"object_names":[{"name":"Group of statues"}],"production":[{"creator":"Jerichau (I), J.A.","creator_forename":"J.A.","creator_surname":"Jerichau (I)","creator_date_of_birth":"1816-04-17T00:00:00.000Z","creator_date_of_death":"1883-07-24T00:00:00.000Z","creator_nationality":"Danish","creator_gender":"MALE","creator_history":"J.A. Jerichau kom med privat støtte til Rom og arbejdede i begyndelsen i Thorvaldsens atelier. De første selvstændige arbejder var relieffriser i mesterens manér, ligesom også hans Kristus var afhængig af Thorvaldsens. Det store gennembrudsværk Herkules og Hebe fremstod derimod som et helstøbt nyklassicistisk værk i sin egen ret. For at bevise, at han ikke blot forstod at lægge sig efter antikkens stiludtryk, udførte han den naturalistisk opfattede gruppe Panterjægeren, hvor han tillige indførte et dynamisk bevægelsesmotiv. Disse tidlige hovedværker gav J. et internationalt ry og skabte nogle forventninger, som i de efterfølgende årtier dog kun glimtvis blev indfriet. Størst fortjeneste må tillægges hans evne for det psykologiske studium, som det ses i f.eks. Adam og Eva efter syndefaldet. I sit formsprog formåede J. at slå bro mellem nyklassicismen og realismen, hvorved han påvirkede en hel generation af unge billedhuggere, fortrinsvis sine egne elever som f.eks. August Saabye. Allerede fra omkring 1850 var hans arbejdsrytme noget ujævn og hans arbejder af svingende kvalitet, til dels betinget af perioder af tungsind og dermed manglende selvtillid. Bemærkelsesværdige er hans mange kvindefremstillinger, der på én gang er kyske og sensuelle i opfattelsen, som f.eks. Sovende høstpige og Badende piger. Blandt J.s arbejder af religiøst indhold kan fremhæves døbefontsfigurerne Troens og Håbets engle ved Evighedens klippe. Gennem mere end 10 år, 1860-71, arbejdede J. med H.C. Ørsted-monumentet. I 1860erne og 1870erne var han desuden optaget af at virkeliggøre en række friseprojekter, som han havde tegnet de første år i Rom. Hvor H.W. Bissen og H.E. Freund stod for en videreførelse af den thorvaldsenske klassicisme i Danmark, bestod J.s indsats i langt højere grad i et originalt og fremadpegende nybrud i dansk skulptur.","creator_lref":"2364_person"}],"production_date":[{"start":"1845-01-01T00:00:00.000Z","end":"1846-12-31T00:00:00.000Z","period":"1845-1846"}],"techniques":["Bronze"],"titles":[{"title":"The Panther Hunter","language":"engelsk"}],"number_of_parts":1,"object_number":"KMS5250","object_url":"https://api.smk.dk/api/v1/art?object_number=KMS5250","frontend_url":"https://open.smk.dk/artwork/image/KMS5250","iiif_manifest":"https://api.smk.dk/api/v1/iiif/manifest?id=KMS5250","enrichment_url":"https://enrichment.api.smk.dk/api/enrichment/KMS5250","similar_images_url":"https://similar.api.smk.dk/similar/?object_number=KMS5250","production_dates_notes":["Værkdatering: 1845-1846","Støbt 1873"],"public_domain":true,"rights":"https://creativecommons.org/publicdomain/mark/1.0/","on_display":true,"alternative_images":[{"mime_type":"image/tiff","iiif_id":"https://iip.smk.dk/iiif/jp2/hd76s095d_KMS5250.tif.jp2","iiif_info":"https://iip.smk.dk/iiif/jp2/hd76s095d_KMS5250.tif.jp2/info.json","width":3012,"height":5229,"size":16300325.172413794,"thumbnail":"https://iip-thumb.smk.dk/iiif/jp2/hd76s095d_KMS5250.tif.jp2/full/!1024,/0/default.jpg","native":"https://iip.smk.dk/iiif/jp2/hd76s095d_KMS5250.tif.jp2/full/full/0/native.jpg","orientation":"portrait"},{"mime_type":"image/tiff","iiif_id":"https://iip.smk.dk/iiif/jp2/db78tg27c_KMS5250.tif.jp2","iiif_info":"https://iip.smk.dk/iiif/jp2/db78tg27c_KMS5250.tif.jp2/info.json","width":3000,"height":3000,"size":591055.1724137932,"thumbnail":"https://iip-thumb.smk.dk/iiif/jp2/db78tg27c_KMS5250.tif.jp2/full/!1024,/0/default.jpg","native":"https://iip.smk.dk/iiif/jp2/db78tg27c_KMS5250.tif.jp2/full/full/0/native.jpg","orientation":"landscape"},{"mime_type":"image/tiff","iiif_id":"https://iip.smk.dk/iiif/jp2/ws859k088_KMS5250.tif.jp2","iiif_info":"https://iip.smk.dk/iiif/jp2/ws859k088_KMS5250.tif.jp2/info.json","width":2078,"height":2967,"size":754182.0689655172,"thumbnail":"https://iip-thumb.smk.dk/iiif/jp2/ws859k088_KMS5250.tif.jp2/full/!1024,/0/default.jpg","native":"https://iip.smk.dk/iiif/jp2/ws859k088_KMS5250.tif.jp2/full/full/0/native.jpg","orientation":"portrait"}],"image_mime_type":"image/tiff","image_iiif_id":"https://iip.smk.dk/iiif/jp2/6969z3845_KMS5250.tif.reconstructed.tif.jp2","image_iiif_info":"https://iip.smk.dk/iiif/jp2/6969z3845_KMS5250.tif.reconstructed.tif.jp2/info.json","image_width":3012,"image_height":5228,"image_size":4140786,"image_thumbnail":"https://iip-thumb.smk.dk/iiif/jp2/6969z3845_KMS5250.tif.reconstructed.tif.jp2/full/!1024,/0/default.jpg","image_native":"https://api.smk.dk/api/v1/download/W3siaW1nX3VybCI6Imh0dHBzOi8vaWlwLnNtay5kay9paWlmL2pwMi82OTY5ejM4NDVfS01TNTI1MC50aWYucmVjb25zdHJ1Y3RlZC50aWYuanAyL2Z1bGwvZnVsbC8wL25hdGl2ZS5qcGciLCJwdWJsaWNfZG9tYWluIjp0cnVlLCJvYmplY3RfbnVtYmVyIjoiS01TNTI1MCIsIm51bSI6IiJ9XQ==/KMS5250.jpg","image_cropped":true,"image_orientation":"portrait","image_hq":true,"files_3D":[{"url":"https://api.smk.dk/api/v1/download-3d/6m311v17d_smk25-kms-panther-and-man.stl","mime_type":"model/stl","file_size":186064784},{"url":"https://api.smk.dk/api/v1/download-3d/xs55mj05h_KMS5250_small.stl","mime_type":"model/stl","file_size":20003284}],"has_3d_file":true,"has_image":true,"colors":["#000000","#111111","#080614","#999999","#bbbbbb","#888888","#444444"],"suggested_bg_color":["#888888"],"entropy":3.4874792,"contrast":4.409773,"saturation":0.000026504787,"colortemp":3.1102908,"brightness":1.9645135,"media_3d":["{\"title\":\"KMS5250: Panterjægeren\",\"url\":\"https://www.myminifactory.com/object/viewer/5ddbc8c535682/smk25-kms-panther-and-man.stl\",\"language\":\"all\"}"],"artist":["J.A. 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