{"items":[{"id":"1170022863_object","created":"2020-03-21T12:44:10Z","modified":"2025-07-11T17:36:04Z","responsible_department":"Den Kongelige Maleri- og Skulptursamling","current_location_name":"Sal 209","current_location_date":"2023-11-15T00:00:00Z","acquisition_date":"1890-08-01T00:00:00Z","acquisition_date_precision":"1890-12-31","dimensions":[{"notes":"685 x 555 mm","part":"Netto","type":"højde","unit":"centimeter","value":"68.5"},{"notes":"685 x 555 mm","part":"Netto","type":"bredde","unit":"centimeter","value":"55.5"},{"notes":"826 x 687 x 90 mm","part":"Brutto","type":"højde","unit":"centimeter","value":"82.6"},{"notes":"826 x 687 x 90 mm","part":"Brutto","type":"bredde","unit":"centimeter","value":"68.7"},{"notes":"826 x 687 x 90 mm","part":"Brutto","type":"dybde","unit":"centimeter","value":"9"}],"documentation":[{"title":"Barok. 1600-tallets kunst i SMK's samlinger","author":"Eva de la Fuente Pedersen","notes":"Katalog p. 212","year_of_publication":"2023"},{"title":"Rembrandt: Gemälde. 630 Abbildungen","author":"A. Bredius","notes":"p. 318 (afb.). Anmerkungen nr. 318 (Rembrandt)","shelfmark":"12170","year_of_publication":"1935"},{"title":"De hollandsche schilderkunst in de zeventiende eeuw","author":"W. Martin","notes":"vol. II: p. 504 (kategoriseres under elever og efterfølgere)","shelfmark":"13722","year_of_publication":"1935-36"},{"title":"Mindre Meddelelser, væsentlig om Museets Forhold: [Emil Bloch og Carl Jacobsen, Den store Nadvere af Joakim Skovgaard, En Rembrandt-Elev fra Flensborg, En ny \"El Greco\" i vort Galleri, ...]","author":"Karl Madsen","notes":"p. 173 (Under sit besøg på KMS i 1914 foreslår Bredius en datering omkring 1650'erne)","shelfmark":"15596","year_of_publication":"1914"},{"title":"Rembrandt?: the master and his workshop","author":"Lene Bøgh Rønberg","notes":"kat. 16, p. 200-204 (afb.), p. 60-71(afb. detalje samt røntgenopt.), p. 132-137 (afb. infrarød opt.), p. 151 (gentilskrives Rembrandt)","shelfmark":"2006-021","year_of_publication":"2006"},{"title":"Rembrandt: quest of a genius","author":"Ernst van de Wetering","notes":"p. 205-207, ill. 233 p. 205 (opsummerer tilskrivningshistorie og sammenligner med portrættet og studie af Margaretha de Geer på National Gallery, London).","shelfmark":"2006-151","year_of_publication":"2006"},{"title":"Art in the making: Rembrandt","author":"David Bomford","notes":"Omt. og afb. p. 183","shelfmark":"2006-210","year_of_publication":"2006"},{"title":"Beschreibendes und kritisches Verzeichnis der Werke der hervorragendsten Holländischen Maler des XVII Jahrhunderts","author":"Cornelis Hofstede de Groot","notes":"vol. VI (1915) p. 137 nr. 265 (Rembrandt)","shelfmark":"2119","year_of_publication":"1907-28"},{"title":"Rembrandt","author":"Carl Nordenfalk","notes":"nr. 43","shelfmark":"22722","year_of_publication":"1956"},{"title":"Rembrandt und die Verwandlung klassische Fremen","author":"Joseph Gantner","notes":"p. 178","shelfmark":"31603","year_of_publication":"1964"},{"title":"Rembrandt: The complete edition of the paintings","author":"A. Bredius","notes":"nr. 318 (afb. i appendiks): \"I regard the picture as a later derivative from Bredius 319\"","shelfmark":"34769","year_of_publication":"1969"},{"title":"Rembrandt och hans tid: människan i centrum","author":"Mårten Snickare","notes":"p. 213, note 4 (ikke Rembrandt)","shelfmark":"54904","year_of_publication":"1992"},{"title":"Rembrandt and his school: a critical study of the master and his pupils with a new assignment of their pictures","author":"John C. van Dyke","notes":"p. 161 (kategoriseres som \"unknown pupil\")","shelfmark":"8316","year_of_publication":"1923"},{"title":"Gemälde der Rembrandt-Schüler","author":"Werner Sumowski","notes":"vol. I: p. 85, geng. p. 131 som \"Rembrandt-Nachahmer\"","shelfmark":"86-785","year_of_publication":"1983"},{"title":"Korsriddaren i Statens Museum for Kunst i Køpenhamn och riddaren med falken i Göteborgs Museum: två skrattretande s.h. 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CXLIX, pp.104-108"},{"title":"Connoisseurship and Rembrandt's paintings: New Directions in the Rembrandt Research Project, part II","author":"Ernst van de Wetering","notes":"pp. 85-86 (uddybning af tilskrivningen til Rembrandt), afb. p. 86 fig. 17 (detalje, farve), omt. p. 90 i appendiks"},{"title":"Anmeldelse af W. Martin: De hollandse Schilderkunst","author":"E Plietzsch","notes":"p. 302 (ikke af Rembrandt og ikke noget hollandsk værk fra det 17. århundrede)"},{"title":"Die Rembrandt-Ausstellung in Stockholm","author":"Cornelis Müller Hofstede","notes":"p. 93, nr. 43"},{"title":"Politiken 10. oktober 1923","author":"Ubekendt"},{"title":"Notices on all the so-called Rembrandts and Titians and on several so-called Rubenses, Ruisdaels and Vrooms in the Danish Galleries","author":"Gerhard Nilsson","notes":"p. 8-9","shelfmark":"eks20 May 2009 14:29:42:727","year_of_publication":"1932"},{"title":"Rembrandt's conception of historical portraiture","author":"W. R. Valentiner","notes":"pp. 117ff (afb. fig. 3)"},{"title":"Boekbesprekingen (K. Bauchs catalogue of Rembrandt paintings)","author":"J. Q. van Regteren Altena","notes":"p. 71"},{"title":"Riddaren med falken","author":"A. Romdahl","notes":"p. 94 (afb.), 96-97 (mener at Korsridderen er udført efter Ridderen med Falken fra Göteborgs Kunstmuseum)"},{"title":"Zur Nachwirkung von Rembrandts Kunst","author":"Horst Gerson","notes":"p. 216 (udført i det 19. århundrede)","shelfmark":"eks29 Mar 2006 18:18:54:090","year_of_publication":"1973"},{"title":"Ridder eller vagabond: Fra forskningens værksted","author":"Hanne Jönsson","notes":"p. 6-7 (afb.) (ikke Rembrandt)"}],"exhibitions":[{"exhibition":"Rembrandt? Mesteren og hans værksted","date_start":"2006-02-04T00:00:00.000Z","date_end":"2006-05-14T00:00:00.000Z","venue":"SMK København"},{"exhibition":"At krydse grænser - Spot på Europæisk Kunst 1300-1800","date_start":"2017-08-12T00:00:00.000Z","date_end":"2017-11-26T00:00:00.000Z","venue":"SMK København"},{"exhibition":"Barok - Ud af mørket","date_start":"2023-05-27T00:00:00.000Z","date_end":"2023-11-05T00:00:00.000Z","venue":"SMK København"}],"inscriptions":[{"content":"Re . [resten antagelig forsvundet ved beskæring]","notes":"Ikke autentisk signaturfragment","type":"Signatur"}],"labels":[{"text":"Omsluttet af mørke lyser et ansigt betragteren i møde. Øjnene holder os fast. Det kunne være en tilfældig mand, som Rembrandt havde mødt på en tur gennem Amsterdam og budt indenfor i atelieret for at sidde model. Ansigtet er et studie i lys. Gennem 5 trin har Rembrandt malet alle grader fra det mest belyste til det mest mørke. Hvert trin har sin egen farve og sit eget penselstrøg. Skalaen går fra det hvideste højlys, over hudfarverne til en sortbrun kulør. Den gråbrune grundering træder her og der frem og fungerer som en sjette kulør. Lyskilden er ikke forklaret. Mest af alt synes ansigtet at lyse af sig selv. Skitsen er da også et forarbejde til maleriet \"Skt. Bavo\", nu på museet i Gö-teborg. Skt. Bavo er en figur fra den nederlandske middelalder, som blev kåret til helgen for sin asketiske og næstekærlige livsførelse. Rembrandt har kun malet ansigtet og håret, kappen med korsridderemblemet er malet senere, formentlig for at gøre skitsen mere ”færdig” og dermed mere salgbar.","type":"EXHIBITIONTEXT","source":"Eva de la Fuente Pedersen","date":"2011-01-01T00:00:00.000Z"},{"text":"Den forhenværende direktør og Rembrandt-connoisseur på Statens Museum for Kunst Karl Madsen fandt Korsridderen i 1911 i en afsides krog på Fredensborg Slot, hvor det var midlertidigt deponeret. Trods Karl Madsens begejstring, blev der hurtigt sået tvivl om maleriets status, før det i 1969 blev fraskrevet Rembrandt. Den seneste forskning viser nu, at der er tale om en skitse til Ridderen med Falken (Göteborgs Konstmuseum). Røngtenoptagelser understøtter denne antagelse, idet de viser, at maleriets underliggende malelag er bygget op på en måde, der er typisk for Rembrandt. Motivet forestiller formentlig den hollandske helgen Skt. Bavo, og maleriet indeholder den overbevisende vekselvirkning mellem det præcise og det spontane, der er typisk for Rembrandt. Samtidig viser det den pastose malemåde, som er karakteristisk for kunstnerens sene arbejde. Der er i midlertidigt tegn på, at dele af maleriet er udført af en af Rembrandts elever, hvilket var gængs praksis i mesterens værksted.","type":"OTHERTEXT","source":"SGR"}],"materials":["Lærred"],"object_names":[{"name":"Maleri"}],"production":[{"creator":"Rembrandt van Rijn","creator_surname":"Rembrandt van Rijn","creator_date_of_birth":"1606-01-01T00:00:00.000Z","creator_date_of_death":"1669-01-01T00:00:00.000Z","creator_nationality":"Hollandsk","creator_gender":"MALE","notes":"gentilskrevet Rembrandt 2006","creator_lref":"1871_person"}],"production_date":[{"start":"1659-01-01T00:00:00.000Z","end":"1661-12-31T00:00:00.000Z","period":"1659-1661"}],"related_objects":[{"title":"\"Korsridderen\"","notes":"Skitse til Ridderen med falken, Göteborgs kunstmuseum, inv. GKM 698, Bredius nr. 319 Malet kopi, antagelig udført ml. 1960'erne og 1980'erne i privat eje, Køge. Set på SMK 20.2.06. Se komparativt materiale","reference":"KKS6991"}],"techniques":["Olie på lærred"],"titles":[{"title":"Skitse til Ridderen med falken, kendt som \"Korsridderen\"","type":"museumstitel","language":"dansk"},{"title":"Korsridderen","type":"tidligere titel","language":"dansk"}],"notes":["Katalognumre:\r\n- Kat. 1922 nr. 284\r\n- Kat. 1946 nr. 574"],"number_of_parts":1,"object_history_note":["Placeringshistorie:\r\n- 1890, dec: fra den af Frederik VII indrettede tepavillon ved Frederiksborg\r\n- 1891, juni: til Fredensborg\r\n- 1911, maj: Sølvgade\r\n- 1966, 12. marts: Glyptoteket\r\n-1969, 20. sept.: retur Sølvgade"],"object_number":"KMS1384","object_url":"https://api.smk.dk/api/v1/art?object_number=KMS1384","frontend_url":"https://open.smk.dk/artwork/image/KMS1384","iiif_manifest":"https://api.smk.dk/api/v1/iiif/manifest?id=KMS1384","enrichment_url":"https://enrichment.api.smk.dk/api/enrichment/KMS1384","similar_images_url":"https://similar.api.smk.dk/similar/?object_number=KMS1384","production_dates_notes":["Værkdatering: 1659-1661","fagligt skøn, se Rembrandt? 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