{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://api.smk.dk/api/v1/iiif/manifest?id=KKS1196","type":"Manifest","label":{"da":["Ved et vindue i kunstnerens atelier"]},"rights":"https://creativecommons.org/publicdomain/mark/1.0/","requiredStatement":{"label":{"en":["Attribution"],"da":["Kreditering"]},"value":{"en":["Shared by SMK – the national gallery of Denmark"],"da":["SMK – Statens Museum for Kunst"]}},"provider":[{"id":"https://www.smk.dk","type":"Agent","label":{"en":["SMK – the national gallery of Denmark"],"da":["SMK – Statens Museum for Kunst"]},"logo":[{"id":"https://iip.smk.dk/iiif/jp2/smk_logo.jp2/full/!400,400/0/default.jpg","type":"Image","format":"image/jpeg"}]}],"metadata":[{"label":{"en":["Title"]},"value":{"none":["Ved et vindue i kunstnerens atelier"]}},{"label":{"en":["Object number"]},"value":{"none":["KKS1196"]}},{"label":{"en":["Acquisition date"]},"value":{"none":["1892-12-31"]}},{"label":{"en":["Creator"]},"value":{"none":["Eckersberg, C.W."]}},{"label":{"en":["Creator B."]},"value":{"none":["1783-01-02T00:00:00.000Z"]}},{"label":{"en":["Creator D."]},"value":{"none":["1853-07-22T00:00:00.000Z"]}},{"label":{"en":["Production start date"]},"value":{"none":["1852-01-01T00:00:00.000Z"]}},{"label":{"en":["Production end date"]},"value":{"none":["1852-12-31T00:00:00.000Z"]}},{"label":{"en":["Type"]},"value":{"none":["Tegning"]}},{"label":{"en":["Technique"]},"value":{"none":["Pen, gråt blæk, pensel, grå og brun lavering over blyant; indrammet med pensel og lys blå van"]}},{"label":{"en":["Production dates notes"]},"value":{"none":["Værkdatering: 1852"]}},{"label":{"en":["Dimensions"]},"value":{"none":["{\"part\":\"bladmaal\",\"type\":\"højde\",\"value\":\"274\",\"unit\":\"millimeter\"}","{\"part\":\"bladmaal\",\"type\":\"bredde\",\"value\":\"231\",\"unit\":\"millimeter\"}","{\"part\":\"billedmaal\",\"type\":\"højde\",\"value\":\"244\",\"unit\":\"millimeter\"}","{\"part\":\"billedmaal\",\"type\":\"bredde\",\"value\":\"201\",\"unit\":\"millimeter\"}"]}},{"label":{"en":["Number of parts"]},"value":{"none":["1"]}},{"label":{"en":["Object history"]},"value":{"none":["Tilgået KKS fra auktionen efter Jens Eckersberg, 29. april 1892, kat.nr. 224"]}},{"label":{"en":["Notes"]},"value":{"none":["Litt og udst.:\r\nInger Hjort Nielsen, Danske tegninger, Kbh. 1965. afb. side 58\r\nC.W.Eckersbergs tegninger og akvareller, Skolen for Brugskunst, Kbh. 1980, side 29\r\nUdst.: C.W. Eckersberg. Aarhus Kunstmuseum 1983, kat.nr. 177\r\nH.E. Nørregård Nielsen, Dansk Kunst, Kbh. 1983, side 235\r\nHenriette Steiner, The Emergence of a Modern City, omt og afb. p. 90\r\nUdst.: Tegninger af C.W.Eckersberg. Kobberstiksamlingen, Statens Museum for Kunst, Kbh. 1983, kat.nr. 144\r\nUdst.: Erik Fischer (red.), Von Abildgaard bis Marstrand, Staatliche graphische Sammlung, München 1985, kat.nr. 60\r\nBo Bramsen, København før og nu - og aldrig, bd. II, Kbh. 1987. afb. side 78\r\nErnst Jonas Bencard, Anders Kold og Peter S. Meyer, Kunstværkets krav, Kbh. 1990. afb. side 65\r\nKasper Monrad, Casper David Friedrich og Danmark, Statens Museum for Kunst, Kbh. 1991, Kat nr 98\r\nUdst.: Øjenlyst, Chris Fisher m.f., Kobberstiksamlingen, Statens museum for kunst, 1993. side 92\r\nJohn T. Lauridsen, (red.) København, porten til Europa. En antologi, Kbh. 1996. afb. side 121\r\nThe Department of Prints and Drawings at the Statens Museum for Kunst in Copenhagen, in Gragheion, 3rd - 4th issue 1997, side 11\r\n\r\n\r\nKommentarer fra arkkatalog: \nJohannes Jensen, 1972: dateringen må være forkert, burde retteligt være 1832, pga. de to pigers alder. Henholdsvis: Emilie Jensine Eckersberg f. 13.11.1817 - 08.04.1877 (ugift)\r\nJulie Wilhelmine Eckersberg, 24.12.1820 - 29.04.1894. (ugift)\r\nPåskrift af Michael Wivel\r\n\r\n\r\nKommentarer iøvrigt: \n-Titel i arkkatalog: To af Eckersbergs døtre i vinduet i Eckers-bergs maler-stue på Charlottenborg.\r\n\r\n"]}},{"label":{"en":["Labels"]},"value":{"none":["Billedets to figurer er sandsynligvis C.W. Eckersbergs døtre, Julie og Emilie, som deres lidenhed til trods var voksne, da Eckersberg brugte dem som modeller. Kunstneren har anbragt dem ved et af atelierets vinduer, der vender ud mod Kongens Nytorv.\r\n\r\nKvindernes anonymitet\r\nKvinderne ser ikke ud, men kigger i en bog, stående ved den høje vindueskarm, der får dem til at syne mindre, end de er. Scenen med de to kvinder, der er \"anonyme\" og næsten identiske, er på det nærmeste tømt for handling.\r\n\r\nRummet som billedets indhold\r\nBilledets egentlige indhold er snarere det rum, scenen er indfældet i. Det er anskueligt og klart struktureret med en stærk betoning af lys og flade. Alle elementer er harmonisk afbalanceret i forhold til hinanden, det mørke gardins flade forbindes med de helt eller delvist belyste skodder, hvis fladevirkning gentages og brydes af trappestigen og malerkassen på skammelen, ja hele rummets fortættede lys er stemt af mod det blegere lys udenfor.\r\n\r\nHarmoni som modvægt til kaos\r\nPå grundlag af matematikken og perspektivlæren har Eckersberg i dette som i andre værker konstrueret en billedverden, hvor den indre, lovbundne harmoni, bestemt af naturens fornuft, kunne holde kaos på afstand.","The two figures in the picture are probably C.W. Eckersberg’s daughters, Julie and Emilie, who despite their small stature were adults when Eckersberg used them as models.\r\n\r\nThe two women in the picture\r\nThe artist positioned the women by one of the studio windows facing Kongens Nytorv. They do not look out the window, but are reading a book. Their position next to the tall windowsill makes them look smaller than they are. The scene with the two women is virtually empty of narrative content.\r\n\r\nThe real subject of the picture: The room\r\nThe picture’s real subject could be said to be the room in which the scene takes place. It is clearly structured with a strong accent on light and surfaces. All elements are perfectly balanced in relation to each other, the dark curtain is linked to the partially or fully lit shutters, stressing the surface that is repeated and broken by the stepladder and the paintbox on the stool; indeed the dense light in the entire room is carefully harmonised with the paler light outside.\r\n\r\nInner harmony as contrast to chaos\r\nAs in many of his other works, Eckersberg uses mathematics and the principles of perspective to construct a universe where an inner harmony, determined by the rational laws of nature, could keep chaos at bay."]}},{"label":{"en":["Exhibitions"]},"value":{"none":["Rooms with Views: The Open Window in 19th Century Art","Øjenlyst. 53 tegninger fra Den Kgl. Kobberstiksamling","En smuk løgn - Eckersberg","Eckersberg – Faszination Wirklichkeit","Beyond the Light: Identity and Place in Nineteenth-Century Danish Art","Beyond the Light: Identity and Place in Nineteenth-Century Danish Art"]}},{"label":{"en":["Department"]},"value":{"none":["Den Kongelige Kobberstiksamling"]}},{"label":{"en":["Public domain"]},"value":{"none":["true"]}},{"label":{"en":["Latest internal modification"]},"value":{"none":["2026-09-18T12:18:45Z"]}},{"label":{"en":["Internal ID"]},"value":{"none":["1170015559_object"]}}],"thumbnail":[{"id":"https://iip-thumb.smk.dk/iiif/jp2/fn1072306_kks1196.tif.jp2/full/!1024,/0/default.jpg","type":"Image","format":"image/jpeg","service":[{"id":"https://iip.smk.dk/iiif/jp2/fn1072306_kks1196.tif.jp2","type":"ImageService2","profile":"level1"}]}],"items":[{"id":"https://api.smk.dk/api/v1/iiif/canvas/KKS1196/0","type":"Canvas","label":{"none":["KKS1196"]},"height":3374,"width":2830,"items":[{"id":"https://api.smk.dk/api/v1/iiif/canvas/KKS1196/0/page","type":"AnnotationPage","items":[{"id":"https://api.smk.dk/api/v1/iiif/canvas/KKS1196/0/annotation","type":"Annotation","motivation":"painting","body":{"id":"https://iip-thumb.smk.dk/iiif/jp2/fn1072306_kks1196.tif.jp2/full/!1024,/0/default.jpg","type":"Image","format":"image/jpeg","height":3374,"width":2830,"service":[{"id":"https://iip.smk.dk/iiif/jp2/fn1072306_kks1196.tif.jp2","type":"ImageService2","profile":"level0"}]},"target":"https://api.smk.dk/api/v1/iiif/canvas/KKS1196/0"}]}],"annotations":[{"id":"https://api.smk.dk/api/v1/iiif/annotations?canvas=https%3A%2F%2Fapi.smk.dk%2Fapi%2Fv1%2Fiiif%2Fcanvas%2FKKS1196%2F0","type":"AnnotationPage"}]},{"id":"https://api.smk.dk/api/v1/iiif/canvas/KKS1196/1","type":"Canvas","label":{"none":["KKS1196"]},"height":7833,"width":5288,"items":[{"id":"https://api.smk.dk/api/v1/iiif/canvas/KKS1196/1/page","type":"AnnotationPage","items":[{"id":"https://api.smk.dk/api/v1/iiif/canvas/KKS1196/1/annotation","type":"Annotation","motivation":"painting","body":{"id":"https://iip-thumb.smk.dk/iiif/jp2/cc08hg69n_eckersberg_0011.tif.jp2/full/!1024,/0/default.jpg","type":"Image","format":"image/jpeg","height":7833,"width":5288,"service":[{"id":"https://iip.smk.dk/iiif/jp2/cc08hg69n_eckersberg_0011.tif.jp2","type":"ImageService2","profile":"level0"}]},"target":"https://api.smk.dk/api/v1/iiif/canvas/KKS1196/1"}]}],"annotations":[{"id":"https://api.smk.dk/api/v1/iiif/annotations?canvas=https%3A%2F%2Fapi.smk.dk%2Fapi%2Fv1%2Fiiif%2Fcanvas%2FKKS1196%2F1","type":"AnnotationPage"}]},{"id":"https://api.smk.dk/api/v1/iiif/canvas/KKS1196/2","type":"Canvas","label":{"none":["KKS1196"]},"height":3446,"width":2906,"items":[{"id":"https://api.smk.dk/api/v1/iiif/canvas/KKS1196/2/page","type":"AnnotationPage","items":[{"id":"https://api.smk.dk/api/v1/iiif/canvas/KKS1196/2/annotation","type":"Annotation","motivation":"painting","body":{"id":"https://iip-thumb.smk.dk/iiif/jp2/3f462724m_kks1196.tif.jp2/full/!1024,/0/default.jpg","type":"Image","format":"image/jpeg","height":3446,"width":2906,"service":[{"id":"https://iip.smk.dk/iiif/jp2/3f462724m_kks1196.tif.jp2","type":"ImageService2","profile":"level0"}]},"target":"https://api.smk.dk/api/v1/iiif/canvas/KKS1196/2"}]}],"annotations":[{"id":"https://api.smk.dk/api/v1/iiif/annotations?canvas=https%3A%2F%2Fapi.smk.dk%2Fapi%2Fv1%2Fiiif%2Fcanvas%2FKKS1196%2F2","type":"AnnotationPage"}]}]}