{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://api.smk.dk/api/v1/iiif/manifest?id=KMS1222","type":"Manifest","label":{"da":["Redningsbåden køres gennem klitterne"]},"rights":"https://creativecommons.org/publicdomain/mark/1.0/","requiredStatement":{"label":{"en":["Attribution"],"da":["Kreditering"]},"value":{"en":["Shared by SMK – the national gallery of Denmark"],"da":["SMK – Statens Museum for Kunst"]}},"provider":[{"id":"https://www.smk.dk","type":"Agent","label":{"en":["SMK – the national gallery of Denmark"],"da":["SMK – Statens Museum for Kunst"]},"logo":[{"id":"https://iip.smk.dk/iiif/jp2/smk_logo.jp2/full/!400,400/0/default.jpg","type":"Image","format":"image/jpeg"}]}],"metadata":[{"label":{"en":["Title"]},"value":{"none":["Redningsbåden køres gennem klitterne"]}},{"label":{"en":["Object number"]},"value":{"none":["KMS1222"]}},{"label":{"en":["Acquisition date"]},"value":{"none":["1883-12-31"]}},{"label":{"en":["Creator"]},"value":{"none":["Ancher, Michael"]}},{"label":{"en":["Creator B."]},"value":{"none":["1849-06-09T00:00:00.000Z"]}},{"label":{"en":["Creator D."]},"value":{"none":["1927-09-19T00:00:00.000Z"]}},{"label":{"en":["Production start date"]},"value":{"none":["1883-01-01T00:00:00.000Z"]}},{"label":{"en":["Production end date"]},"value":{"none":["1883-12-31T00:00:00.000Z"]}},{"label":{"en":["Type"]},"value":{"none":["Maleri"]}},{"label":{"en":["Technique"]},"value":{"none":["Olie på lærred"]}},{"label":{"en":["Materials"]},"value":{"none":["Lærred"]}},{"label":{"en":["Production dates notes"]},"value":{"none":["Værkdatering: 1883"]}},{"label":{"en":["Dimensions"]},"value":{"none":["{\"part\":\"Netto\",\"type\":\"højde\",\"value\":\"171\",\"unit\":\"centimeter\"}","{\"part\":\"Netto\",\"type\":\"bredde\",\"value\":\"221\",\"unit\":\"centimeter\"}","{\"part\":\"Brutto\",\"type\":\"højde\",\"value\":\"195.3\",\"unit\":\"centimeter\"}","{\"part\":\"Brutto\",\"type\":\"bredde\",\"value\":\"243.2\",\"unit\":\"centimeter\"}","{\"part\":\"Brutto\",\"type\":\"dybde\",\"value\":\"10.5\",\"unit\":\"centimeter\"}"]}},{"label":{"en":["Number of parts"]},"value":{"none":["1"]}},{"label":{"en":["Labels"]},"value":{"none":["Bratte afskæringer, reportageagtige motiver og snapshot-effekter – et fotografisk blik - præger flere af salens værker. Det gælder i særlig grad for dette maleri. To krydsende diagonaler fører fiskerne og beskueren gennem klitterne og ud mod det nød¬stedte skib. Bevægelsen fører blikket tilbage til udgangspunktet, den råbende fisker, der som i et fotografisk snapshot er beskåret og appellerer til nogen uden for billedet. Historiemaleriet var tidligere hjemsted for skildringen af store og gode handlinger med mytologiske helte og historieskabende enere som forbilleder. Folket måtte nøjes med at optræde som menige soldater eller anonym folkemasse. Med Michael Ancher kulminerer en modsatrettet bestræbelse på at indsætte det almindelige menneske som hovedaktør i et samtidigt historiemaleri.","Abrupt cropping, motifs reminiscent of documentaries, and snapshot-like effect – a photographic gaze – appear in many works in this room, particularly in this painting. Two intersecting diagonals lead the fishermen and the spectator through the dunes and out towards the ship in peril. The movement takes our gaze back to the starting point, the shouting fisherman. As in a photographic snapshot, he has been cropped, appealing to someone outside the image. History painting used to be a vehicle for depicting great and good deeds, presenting mythological heroes and history-makers as ideals. The common people were delegated to the parts of footsoldiers or anonymous crowds. Michael Ancher marks the culmination of an opposite endeavour: To insert common people as protagonists of a contemporary history painting.","Den lave mørke vinterhimmel og kompakte udfyldning af billedfladen forstærker fornemmelsen af intens koncentration - af heroisk storhed.Maleriets kompositionBølgerne på det blåsorte hav synes at trænge helt op i de sneklædte klitter. De væltende bølger løfter redningsbåden i vejret og foregriber udsætningen af båden og gennembrydningen af den kraftige brænding. To krydsende diagonaler fører fiskerne og beskueren gennem klitterne og ud mod det nødstedte skib. Bevægelsen fører blikket tilbage til udgangspunktet, den råbende fisker, der som i et fotografisk snapshot er beskåret og appellerer til nogen uden for billedet.Beretningen om Skagens heltemodige fiskereMed dette maleri fortsatte Michael Ancher sin beretning om Skagens heltemodige fiskere. Et stort anlagt epos, som blev indledt med spørgsmålet Vil han klare pynten? og via den lykkelige udgang Mandskabet reddet fik sin definitive afslutning med Den druknede.Et samtidigt historiemaleriHistoriemaleriet var tidligere hjemsted for skildringen af store og gode handlinger med mytologiske helte og historieskabende enere som forbilleder. Folket måtte nøjes med at optræde som menige soldater eller anonym folkemasse. Med Michael Ancher kulminerer en modsatrettet bestræbelse på at indsætte det almindelige menneske som hovedaktør i et samtidigt historiemaleri.","The low, dark winter skies and densely filled picture plane deepens the sense of intense concentration, of heroic grandeur.The painting's compositionThe waves on the bluish-black ocean seem to force their way up into the snow-covered dunes which echo the tumbling waves by lifting up the lifeboat, prefiguring the launch of the boat and how it will break through the heavy surf. Two intersecting diagonals lead the fishermen through the dunes and out towards the vessels in distress. This movement eventually takes the spectator’s gaze back to the starting point: the shouting fisherman, cropped as in a photographic snapshot, making an appeal to someone outside the picture.A tale of the heroic fishermenWith this painting Michael Ancher continued his tale of the heroic fishermen of Skagen. An epic on a grand scale, the narrative opened with the question Will He Weather the Point, went on to a happy preliminary end, as it were, with A Crew is Rescued and was finally concluded in The Drowned Fisherman.A contemporary history paintingPreviously, history painting was a vehicle for the depiction of great and good deeds done by mythological heroes and men who made history. Common people only made an appearance as rank and file soldiers or in anonymous crowds. The works of Michael Ancher, however, represent the culmination of counteracting endeavours to place ordinary men as the main characters of contemporary history painting."]}},{"label":{"en":["Exhibitions"]},"value":{"none":["Nordic Highlights","Worpswede and the European artists' colonies","Clinch!","100 Mesterværker","Till havet! 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