{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://api.smk.dk/api/v1/iiif/manifest?id=KMS7452","type":"Manifest","label":{"da":["Udsigt fra kunstnerens vindue"]},"rights":"https://creativecommons.org/publicdomain/mark/1.0/","requiredStatement":{"label":{"en":["Attribution"],"da":["Kreditering"]},"value":{"en":["Shared by SMK – the national gallery of Denmark"],"da":["SMK – Statens Museum for Kunst"]}},"provider":[{"id":"https://www.smk.dk","type":"Agent","label":{"en":["SMK – the national gallery of Denmark"],"da":["SMK – Statens Museum for Kunst"]},"logo":[{"id":"https://iip.smk.dk/iiif/jp2/smk_logo.jp2/full/!400,400/0/default.jpg","type":"Image","format":"image/jpeg"}]}],"metadata":[{"label":{"en":["Title"]},"value":{"none":["Udsigt fra kunstnerens vindue"]}},{"label":{"en":["Object number"]},"value":{"none":["KMS7452"]}},{"label":{"en":["Content description"]},"value":{"none":["Motivet er taget fra malerens forældres hus i Amaliegade (nuværende nr. 45) og viser udsigten forbi Flådens Leje mod Nyholm (vinduet findes endnu (jf. Rørbye-udstillingen 1981), men A.P. Møller/Mærsk-rederiets hovedbygning tager udsigten)."]}},{"label":{"en":["Acquisition date"]},"value":{"none":["1988-05-26"]}},{"label":{"en":["Creator"]},"value":{"none":["Rørbye, Martinus"]}},{"label":{"en":["Creator B."]},"value":{"none":["1803-05-17T00:00:00.000Z"]}},{"label":{"en":["Creator D."]},"value":{"none":["1848-08-29T00:00:00.000Z"]}},{"label":{"en":["Production start date"]},"value":{"none":["1823-01-01T00:00:00.000Z"]}},{"label":{"en":["Production end date"]},"value":{"none":["1827-12-31T00:00:00.000Z"]}},{"label":{"en":["Type"]},"value":{"none":["Maleri"]}},{"label":{"en":["Technique"]},"value":{"none":["Olie på lærred"]}},{"label":{"en":["Materials"]},"value":{"none":["Lærred"]}},{"label":{"en":["Production dates notes"]},"value":{"none":["Værkdatering: Ca. 1825","afsluttet: fagligt skøn"]}},{"label":{"en":["Dimensions"]},"value":{"none":["{\"part\":\"Netto\",\"type\":\"højde\",\"value\":\"38\",\"unit\":\"centimeter\"}","{\"part\":\"Netto\",\"type\":\"bredde\",\"value\":\"29.8\",\"unit\":\"centimeter\"}","{\"part\":\"Brutto\",\"type\":\"højde\",\"value\":\"48.8\",\"unit\":\"centimeter\"}","{\"part\":\"Brutto\",\"type\":\"bredde\",\"value\":\"40.8\",\"unit\":\"centimeter\"}","{\"part\":\"Brutto\",\"type\":\"dybde\",\"value\":\"8.4\",\"unit\":\"centimeter\"}"]}},{"label":{"en":["Number of parts"]},"value":{"none":["1"]}},{"label":{"en":["Object history"]},"value":{"none":["Ikke på dødsboaultionerne efter Rørbye og hans kone i 1849 og 1860, formodentlig stadig i familieeje. Tilh. i 1901 og 1905 frk. J. F. Ipsen. Mellem 1921 og 1927 erhvervet af Johan Hansen. Auktion over Johan Hansens samling, auktion nr. VIII, Winkel & Magnussen, 31. maj 1933 kat. 159; her købt af Axel Bruun, Hellerup. Solgt hos Arne Bruun Rasmussen, auktion nr. 107, 1. september 1959, kat. 230; her købt af Benjamin Mørch. Af denne solgt i 1981 til Iselin Hermann. Af denne 22. december 1987 søgt sat på auktion i London, men salget standset 20. januar 1988 af Kulturværdiudvalget, som erhvervede maleriet 2. maj 1988. Overdraget til museet den 26. maj 1988."]}},{"label":{"en":["Labels"]},"value":{"none":["Omkring midten af 1820’erne befandt Rørbye sig i en opbrudssituation på flere planer. Personligt stod han foran at forlade barndomshjemmet, fra hvis stuevindue udsigten her er malet.\r\n\r\nSplittelse mellem realitet og ideal\r\nSom maler begyndte han at supplere akademiets undervisning med skoling hos idealisten Eckersberg, og samtidig forskød periodens åndelige klima sig i retning af en betoning af splittelsen mellem realiteter og ideal. Man kan betegne det som det nære på den ene side og længslernes fjerne mål på den anden.\r\n\r\nAspekter af opbrud\r\nDe forskellige aspekter af opbrud har sat sig spor i motivet. Stuens nærhed er sat op imod havnens sejlskibe, som skal lægge til på fjerne steder. Fugleburet i vinduesåbningen befinder sig i overgangen mellem inde og ude, og denne placering forankrer symbolikken omkrig fuglens fængsel. I vindueskarmen fortæller blomsterne i forskellige vækststadier om livsforløbet: Den lille stikling til højre suppleres af den blomstrende hortensia til venstre og den delvist visnende blomst midt i billedet.\r\n\r\nRomantikkens yndlingsmotiver med symbolske undertoner\r\nUde i havnen modsvares blomsterne af tre orlogsskibe, hvoraf det midterste endnu er under opbygning på værftet, mens det højre mangler takkelagen og kun skibet yderst til venstre fremstår sødygtigt med sit nuværende udstyr. I romantikken blev det åbne vindue og skibet på havet to yndlingsmotiver med symbolske undertoner, og det er netop sådan, Rørbye her kombinerer dem.","Around the mid-1820s Rørbye found himself in a time of transition on several levels. On a personal level he was about to leave his childhood home where this view from the drawing-room window was painted.\r\n\r\nDichotomy between the real and the ideal\r\nOn a professional level, he began to supplement his studies at the Academy with additional schooling from the idealist Eckersberg, and at the same time a shift occurred in the intellectual life of the period, giving rise to a greater emphasis on the dichotomy between the real and the ideal, between the familiar and distant longings.\r\n\r\nAspects of transition\r\nThese different aspects of transition left their mark on the scene. The familiar closeness of the drawing room is contrasted with the sailing ships in the harbour, bound for faraway destinations. The cage in the window occupies a transitional position between the indoors and the outdoors, thereby emphasising the symbolism of the imprisoned bird.\r\n\r\nPopular themes with symbolic undertones\r\nOn the windowsill, flowers in different stages of growth reflect the stages of human life: The small cutting to the right is balanced by the flowering hydrangea and the partially withered flower in the middle of the picture. Out in the harbour the flowers are matched by three warships: the middle ship is still under construction, the right one has no rigging, leaving only the ship on the left seaworthy. During the Romantic era, open windows and ships on the sea became popular themes with symbolic undertones.","Guldalderens maleri var i 1820'erne og 1830'erne tæt forbundet med hovedstaden København. Kunstner - ne skildrede den verden, som de selv og deres kunder var fortrolige med. Det gælder i høj grad for dette maleri, som viser udsigten fra malerens forældres hjem mod Københavns havn. Han har fordelt inte - ressen nogenlunde ligeligt mellem vindueskarmens solbeskinnede opstilling af blomster og havnens skibe og kraner, der fortaber sig i disen, ligesom han har været optaget af sollyset, der falder ind gennem vinduet. Maleren spiller på den symbolik, der i tidens litteratur er knyttet til motivet med det åbentstå ende vindue, nemlig modsætningen mellem hjem mets trygge og velkendte omgivelser og den drag ende, men måske også lidt faretruende verden uden for. Det er ikke tilfældigt, at han har valgt at male en udsigt mod havnen med skibene, der kan føre bille dets betragter langt væk til fremmede egne.","In the 1820s and 1830s, Golden Age painting was closely linked to the capital of Denmark, Copenhagen. The artists depicted a world that was familiar to themselves and to their clients. This is very much true of this painting, which shows the view from the artist's parents' home looking out towards the harbour of Copenhagen. He has devoted more or less equal attention to the windowsill with its sun lit arrangement of flowers and to the harbour with its ships and cranes disappearing in the mist. He was also keenly interested in the sunlight falling through the window. The artist is drawing on a symbolism prevalent in the literature of his day which links the motif of an open window to the contrast between the familiar safety of home and the alluring, but perhaps also slightly dangerous world outside. It is no coincidence that he chose to paint a view of a harbour where ships can whisk the spectator away to unknown countries."]}},{"label":{"en":["Exhibitions"]},"value":{"none":["100 Mesterværker","\"Danish Golden Age\" Petit Palais","Nordic Highlights","Die Kopenhagener Schule","Zolotoj vek datskoj zivopisi","Rooms with Views: The Open Window in 19th Century Art","I lyset af Holland: mesterværker fra hollandsk og dansk guldalder","I lyset af Holland: mesterværker fra hollandsk og dansk guldalder","Tæt på - Intimiteter i kunsten","Dansk guldålder / The Danish Golden Age","Dansk Guldalder: Verdenskunst mellem to katastrofer","Plantefeber. Verden i vindueskarmen","Plantefeber. Verden i vindueskarmen"]}},{"label":{"en":["Department"]},"value":{"none":["Den Kongelige Maleri- og Skulptursamling"]}},{"label":{"en":["Public domain"]},"value":{"none":["true"]}},{"label":{"en":["Latest internal modification"]},"value":{"none":["2026-09-21T11:15:27Z"]}},{"label":{"en":["Internal ID"]},"value":{"none":["1170017474_object"]}}],"thumbnail":[{"id":"https://iip-thumb.smk.dk/iiif/jp2/70795b578_KMS7452.tif.reconstructed.tif.jp2/full/!1024,/0/default.jpg","type":"Image","format":"image/jpeg","service":[{"id":"https://iip.smk.dk/iiif/jp2/70795b578_KMS7452.tif.reconstructed.tif.jp2","type":"ImageService2","profile":"level1"}]}],"items":[{"id":"https://api.smk.dk/api/v1/iiif/canvas/KMS7452/0","type":"Canvas","label":{"none":["KMS7452"]},"height":3722,"width":2943,"items":[{"id":"https://api.smk.dk/api/v1/iiif/canvas/KMS7452/0/page","type":"AnnotationPage","items":[{"id":"https://api.smk.dk/api/v1/iiif/canvas/KMS7452/0/annotation","type":"Annotation","motivation":"painting","body":{"id":"https://iip-thumb.smk.dk/iiif/jp2/70795b578_KMS7452.tif.reconstructed.tif.jp2/full/!1024,/0/default.jpg","type":"Image","format":"image/jpeg","height":3722,"width":2943,"service":[{"id":"https://iip.smk.dk/iiif/jp2/70795b578_KMS7452.tif.reconstructed.tif.jp2","type":"ImageService2","profile":"level0"}]},"target":"https://api.smk.dk/api/v1/iiif/canvas/KMS7452/0"}]}],"annotations":[{"id":"https://api.smk.dk/api/v1/iiif/annotations?canvas=https%3A%2F%2Fapi.smk.dk%2Fapi%2Fv1%2Fiiif%2Fcanvas%2FKMS7452%2F0","type":"AnnotationPage"}]},{"id":"https://api.smk.dk/api/v1/iiif/canvas/KMS7452/1","type":"Canvas","label":{"none":["KMS7452"]},"height":3736,"width":2953,"items":[{"id":"https://api.smk.dk/api/v1/iiif/canvas/KMS7452/1/page","type":"AnnotationPage","items":[{"id":"https://api.smk.dk/api/v1/iiif/canvas/KMS7452/1/annotation","type":"Annotation","motivation":"painting","body":{"id":"https://iip-thumb.smk.dk/iiif/jp2/fx719n31n_KMS7452.tif.jp2/full/!1024,/0/default.jpg","type":"Image","format":"image/jpeg","height":3736,"width":2953,"service":[{"id":"https://iip.smk.dk/iiif/jp2/fx719n31n_KMS7452.tif.jp2","type":"ImageService2","profile":"level0"}]},"target":"https://api.smk.dk/api/v1/iiif/canvas/KMS7452/1"}]}],"annotations":[{"id":"https://api.smk.dk/api/v1/iiif/annotations?canvas=https%3A%2F%2Fapi.smk.dk%2Fapi%2Fv1%2Fiiif%2Fcanvas%2FKMS7452%2F1","type":"AnnotationPage"}]}]}