{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://api.smk.dk/api/v1/iiif/manifest?id=KMS8817","type":"Manifest","label":{"da":["Efter stormen"]},"rights":"https://creativecommons.org/publicdomain/mark/1.0/","requiredStatement":{"label":{"en":["Attribution"],"da":["Kreditering"]},"value":{"en":["Shared by SMK – the national gallery of Denmark"],"da":["SMK – Statens Museum for Kunst"]}},"provider":[{"id":"https://www.smk.dk","type":"Agent","label":{"en":["SMK – the national gallery of Denmark"],"da":["SMK – Statens Museum for Kunst"]},"logo":[{"id":"https://iip.smk.dk/iiif/jp2/smk_logo.jp2/full/!400,400/0/default.jpg","type":"Image","format":"image/jpeg"}]}],"metadata":[{"label":{"en":["Title"]},"value":{"none":["Efter stormen","Nach dem Sturm"]}},{"label":{"en":["Object number"]},"value":{"none":["KMS8817"]}},{"label":{"en":["Content description"]},"value":{"none":["Maleriet er tilsyneladende det første billede af et skibbrud, Friedrich har malet. Siden vendte han flere gange tilbage til dette tema. Han har sandsynligvis gjort studier til maleriet ved Rügens kyster (jf. Zschoche, Caspar David Friedrich auf Rügen, 1998, p. 136). Et konkret tegnet forlæg synes ikke bevaret, men han har ved flere lejligheder tegnet flere sten i vandkanten (jf. Christina Grummt, Caspar David Friedrich. Die Zeichnungen. München 2011, bd. 1 & 2, nr. 311, 446, 820, 821, 822). Motivet er nært beslægtet med J.C. Dahls 'Søstykke med vrag' (version i Bergen (udateret) og i SMK fra 1831 (KMS7599)). Maleriet foregriber hovedværket 'Ishavet' fra 1824 (Hamburger Kunsthalle)."]}},{"label":{"en":["Acquisition date"]},"value":{"none":["2016-12-15"]}},{"label":{"en":["Creator"]},"value":{"none":["Friedrich, Caspar David"]}},{"label":{"en":["Creator B."]},"value":{"none":["1774-09-05T00:00:00.000Z"]}},{"label":{"en":["Creator D."]},"value":{"none":["1840-05-07T00:00:00.000Z"]}},{"label":{"en":["Production start date"]},"value":{"none":["1817-01-01T00:00:00.000Z"]}},{"label":{"en":["Production end date"]},"value":{"none":["1817-12-31T00:00:00.000Z"]}},{"label":{"en":["Type"]},"value":{"none":["Maleri"]}},{"label":{"en":["Technique"]},"value":{"none":["Olie på lærred"]}},{"label":{"en":["Production dates notes"]},"value":{"none":["Værkdatering: 1817","Den angivne datering forekommer overbevisende (første gang påpeget af Karl W. Jähnig i håndskrevet notat bag på gammelt foto, dateret 1. februar 1959). Werner Sumowski har godtaget denne datering (1970)."]}},{"label":{"en":["Dimensions"]},"value":{"none":["{\"part\":\"Netto\",\"type\":\"højde\",\"value\":\"22.2\",\"unit\":\"centimeter\"}","{\"part\":\"Netto\",\"type\":\"bredde\",\"value\":\"30.8\",\"unit\":\"centimeter\"}","{\"part\":\"Brutto\",\"type\":\"højde\",\"value\":\"41.8\",\"unit\":\"centimeter\"}","{\"part\":\"Brutto\",\"type\":\"bredde\",\"value\":\"50.2\",\"unit\":\"centimeter\"}","{\"part\":\"Brutto\",\"type\":\"dybde\",\"value\":\"9\",\"unit\":\"centimeter\"}"]}},{"label":{"en":["Object history"]},"value":{"none":["Formodentlig erhvervet direkte fra kunstneren af familien Bongardt, Dresden (familiesegl på bagsiden af blændrammen). Nedarvet i familien. Ingeborg Graefe-Bongardt, Wiesbaden til 1956. Købt af Fritz Busche, Dortmund; i arv til dennes datter, Salt Lake City. Galerie Arnoldi-Livie fra 1987 (deponeret i Neue Pinakothek 1990-2015). Gave 15. december 2016 til SMK fra Augustinus Fonden, Aage og Johanne Louis-Hansens Fond og A. P. Møller og Hustru Chastine Mc-Kinney Møllers Fond til almene Formaal."]}},{"label":{"en":["Current location"]},"value":{"none":["Sal 217E"]}},{"label":{"en":["Labels"]},"value":{"none":["Efter stormens hærgen rejser den flækkede mast sig mod\r\nhimlen. Liner og reb flagrer i vinden, og det rødbrune sejl\r\nsynker i havet. Med stor omhu har kunstneren skildret sollyset,\r\nder trænger gennem skyerne, regnen ude over havet og de\r\nhvide skumsprøjt fra den oprørte sø.\r\nCaspar David Friedrich voksede op i Greifswald nær\r\nØstersøen, og han kom hele sit liv på den nærliggende ø\r\nRügen. Her iagttog han himlen og havet i al slags vejr. Skibe\r\npå søen var et gennemgående tema i hans kunst, ofte som\r\nsymbol på livets rejse.\r\nI Friedrichs billedunivers forenes det menneskelige\r\ndrama og det umiddelbart registrerende. Den nuancerede\r\nskildring af uvejrshimlen vidner om, at Friedrich, ligesom\r\nmange andre malere over hele Europa, var optaget af at\r\nudforske skyformationer i vekslende vejr og under skiftende\r\nbelysning. Friedrich blev inspireret af det virkelighedsnære\r\ndanske landskabsmaleri, da han studerede i København\r\n1794-1798. Efterfølgende bevarede han kontakt med flere\r\ndanske kunstnere, og hans kunst var kendt og beundret i\r\nsamtidens Danmark (50 værker du skal se på SMK).","After the ravages of a storm, the mast rising towards the sky\r\nis broken. Lines and ropes flutter in the wind, and the maroon\r\nsail sinks into the sea. With great care, the artist has depicted\r\nthe sunlight piercing the clouds, the rain over the sea and the\r\nwhite foam whipped from the agitated waters.\r\nCaspar David Friedrich grew up in Greifswald near\r\nthe Baltic Sea, and throughout his life he regularly visited the\r\nnearby island of Rügen. Here he watched the sky and the sea\r\nin all kinds of weather. Ships at sea were a recurring theme in\r\nhis art, often serving as symbols of life’s journey.\r\nIn Friedrich’s pictorial universe, human drama\r\nand immediate observation come together. The nuanced\r\ndepiction of the stormy sky testifies to how Friedrich, like\r\nmany other painters across Europe, was keenly interested\r\nin exploring cloud formations in various weather and under\r\nchanging lighting. Friedrich was inspired by the realistic\r\nDanish style of landscape painting when he studied at\r\nthe academy in Copenhagen 1794–1798. He subsequently\r\nmaintained contact with several Danish artists, and his art\r\nwas known and admired in contemporary Denmark (50 Favorites in the SMK Collection).","A violent storm has brought a ship off course, smashing it onto the rocks. But perhaps the rocks are also its salvation, embedding it on firm ground. Friedrich grew up in Greifswald near the Baltic Sea, and he visited the nearby island of Rügen all his life. Here he observed the sky and sea in all weathers, and ships at sea was a recurring theme in his art, often symbolising the journey of life. Perhaps this scene shows the firm bedrock of faith saving the ship. The dramatic, finely nuanced depiction of the stormy sky testifies to how Friedrich, like many other European painters, was keenly interested in exploring cloud formations in various weather and lighting conditions. He has very carefully portrayed the sunlight piercing the clouds and details such as the gulls, the partially broken mast, the fluttering ropes and the rain falling out at sea.","En voldsom storm har slået et skib ud af kurs, og et klippeskær har slået det til vrag. Men måske er klipperne også skibets redning, da det nu ligger på fast grund. Friedrich voksede op i Greifswald nær Østersøen, og han kom hele sit liv på den nærliggende ø Rügen. Her iagttog han igen og igen himlen og havet i al slags vejr, og skibe på søen var et gennemgående tema i hans kunst, ofte som symbol på livets rejse. I dette tilfælde er det måske troens faste klippe, der redder skibet. Den dramatiske og nuancerede skildring af uvejrshimlen vidner om, at Friedrich ligesom mange andre malere over hele Europa var stærkt optaget af at udforske skyformationer i vekslende vejr og under skiftende belysning. Med stor omhu har han skildret sollyset, der trænger gennem skyerne, og detaljer som mågerne, den delvist flækkede mast, de flagrende reb og regnen ude over havet."]}},{"label":{"en":["Exhibitions"]},"value":{"none":["Nordic Highlights","CASPAR DAVID FRIEDRICH: Art for a New Age","Planet Ocean"]}},{"label":{"en":["Department"]},"value":{"none":["Den Kongelige Maleri- og Skulptursamling"]}},{"label":{"en":["Public domain"]},"value":{"none":["true"]}},{"label":{"en":["Latest internal modification"]},"value":{"none":["2026-10-07T09:53:57Z"]}},{"label":{"en":["Internal ID"]},"value":{"none":["1170092339_object"]}}],"thumbnail":[{"id":"https://iip-thumb.smk.dk/iiif/jp2/db78tg36b_KMS8817.tif.jp2/full/!1024,/0/default.jpg","type":"Image","format":"image/jpeg","service":[{"id":"https://iip.smk.dk/iiif/jp2/db78tg36b_KMS8817.tif.jp2","type":"ImageService2","profile":"level1"}]}],"items":[{"id":"https://api.smk.dk/api/v1/iiif/canvas/KMS8817/0","type":"Canvas","label":{"none":["KMS8817"]},"height":8576,"width":11752,"items":[{"id":"https://api.smk.dk/api/v1/iiif/canvas/KMS8817/0/page","type":"AnnotationPage","items":[{"id":"https://api.smk.dk/api/v1/iiif/canvas/KMS8817/0/annotation","type":"Annotation","motivation":"painting","body":{"id":"https://iip-thumb.smk.dk/iiif/jp2/db78tg36b_KMS8817.tif.jp2/full/!1024,/0/default.jpg","type":"Image","format":"image/jpeg","height":8576,"width":11752,"service":[{"id":"https://iip.smk.dk/iiif/jp2/db78tg36b_KMS8817.tif.jp2","type":"ImageService2","profile":"level0"}]},"target":"https://api.smk.dk/api/v1/iiif/canvas/KMS8817/0"}]}],"annotations":[{"id":"https://api.smk.dk/api/v1/iiif/annotations?canvas=https%3A%2F%2Fapi.smk.dk%2Fapi%2Fv1%2Fiiif%2Fcanvas%2FKMS8817%2F0","type":"AnnotationPage"}]},{"id":"https://api.smk.dk/api/v1/iiif/canvas/KMS8817/1","type":"Canvas","label":{"none":["KMS8817"]},"height":9552,"width":12773,"items":[{"id":"https://api.smk.dk/api/v1/iiif/canvas/KMS8817/1/page","type":"AnnotationPage","items":[{"id":"https://api.smk.dk/api/v1/iiif/canvas/KMS8817/1/annotation","type":"Annotation","motivation":"painting","body":{"id":"https://iip-thumb.smk.dk/iiif/jp2/mg74qq412_KMS8817.tif.jp2/full/!1024,/0/default.jpg","type":"Image","format":"image/jpeg","height":9552,"width":12773,"service":[{"id":"https://iip.smk.dk/iiif/jp2/mg74qq412_KMS8817.tif.jp2","type":"ImageService2","profile":"level0"}]},"target":"https://api.smk.dk/api/v1/iiif/canvas/KMS8817/1"}]}],"annotations":[{"id":"https://api.smk.dk/api/v1/iiif/annotations?canvas=https%3A%2F%2Fapi.smk.dk%2Fapi%2Fv1%2Fiiif%2Fcanvas%2FKMS8817%2F1","type":"AnnotationPage"}]}]}